#Hyperallergic

Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.

Her photographs showcase an intensely physical side of the city: breaking down boxes to dance upon, spray-painting subway cars.

Ruby Onyinyechi Amanze’s mosaic “May Your Road Be Light and Fun” at Borough Hall excerpts drawings from over 10 years of the artist’s practice.

“This is how corporations bully individuals who cannot match their resources,” said the artist and activist.

Her depictions of individuals in settings that seem both out of time and of this moment represent one of many engaging paradoxes.

After spring's marquee auctions, we are led to believe that everything in our important art universe is doing just fine. It isn't.

At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.

The brazen theft at the Paris museum is set for a film adaptation amid an ongoing investigation and the stolen jewels still at large.

If “pothole politics” is about fixing what people experience in their daily lives, then cultural funding should follow the same logic: steady, predictable, and built to last.

A group of researchers at University College London identified a relationship between consuming and creating art and a lower biological age.

This week, we also honor Tess Jaray, luminary of abstraction, and Ben Morea, counterculture icon.

“I believe in the fact that the people hold the power,” the Lebanese-born representing artist of the Australian pavilion told Hyperallergic.

The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed’s clenched fist for a moment of calm, centeredness, and self-forgiveness.

The late artist's trove of Navajo weavings is on public display for the first time at Arader Galleries in NYC ahead of a sale.

He carved out a space for himself in the downtown art scene as a bold artist and gallerist who championed contemporaries such as Claes Oldenburg and Jim Dine.

The artist challenges the status quo of postmodernism, not by knocking it over but by slyly subverting it.

This week: a record-breaking World Cup mural in Mexico City, the Gen Z of 19th-century France, van Gogh and AI, and more.

The first public exhibition of Jack White's artwork, Cheryl Finley gets the David C. Driskell Prize, and more news to know.