#DailyNewsLetter

Hyperallergic wins a journalism award, hilarious new protest art against Trump, and should you start an Artist Corporation?

Plus, a peek into the Biennale's main exhibition, a poetic procession for Koyo Kouoh, a film about a painter and an art forger, and more.

Rallies and revelations about the Israeli pavilion, shows to see in Upstate New York, and remembering Steven Durland.

Cultural groups call for a “boycott of the genocide pavilion,” shows to see in Los Angeles, memes from the out-of-touch Met Gala, and more.

Artists protest the Met Gala, Iran exits the Venice Biennale, and MoMA’s Duchamp survey leaves us feeling blue.

The insidiousness of artists' contacts, visitors will now judge the Venice Biennale, and Trump’s border crew damages 1,000-year-old Native etching.

The exhibition’s international jury quits, Banksy strikes again, and a conversation with artist-activist Tania Bruguera.

Plus, John Yau on Édouard Glissant’s collection, Sotheby’s holds a benefit auction for the Yale MFA program, and more.

An unusual funding call for Alma Allen’s Venice exhibition, a sculpture at LACMA creates controversy, and join Hyperallergic’s event with Jeremy Frey.

The thorny relationship between art and personhood, Hans Holbein painted the human like no one else, the National Gallery of Art receives $116M, and horses, horses, horses.

An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid's magnum opus.

The benefits of rave culture, Genesis P-Orridge's subversive mail art, Jean Shin’s memorial to the trees of a New York cemetery, and more.

An intimate profile of the body painter, Hungary's art world post-Orbán, and Lebanese artist Tania El Khoury's life amid war.