Logo text Wuthering Heights cinematographer Linus Sandgren lets the story dictate the format.  As much as the Swedish DP may enjoy shooting in IMAX, Emerald Fennell ’s vision for her reimagining of Emily Brontë’s seminal novel had a different ambition than the one he fulfilled for Denis Villeneuve on Dune: Part Three . The writer-director wanted her tragic period romance starring Margot Robbie (Cathy Earnshaw) and Jacob Elordi (Heathcliff) to have a tactile, impressionistic quality, hence the decision to shoot the majority of the piece on standard 35 mm film.  When it came to landscape shots of the Yorkshire Moors — as well as wide interior shots involving Edgar Linton’s (Shazad Latif) decadent manor — the filmmakers sought a higher resolution for the sake of detail, but without sacrificing film grain. Neither standard 65 mm nor IMAX were going to uphold both of those requirements.…