H ere is a beautiful, raw debut from young Chilean director Diego Céspedes, a film that is part queer western, part beguiling fable, with some glorious scenes straight out of a Latin soap opera, magic-realist effects and moments of heartbreakingly tender emotion. It’s set in the early 1980s, in a mining town on the dusty edge of nowhere where a ramshackle establishment, something like a bordello in a spaghetti western, is run by a small LGBTQ+ community. By day, they serve up food to worn-out, dust-covered miners; by night, cabaret is performed in drag. The club is also raising a child, 11-year-old Lidia (Tamara Cortes), who was abandoned on the doorstep as a baby (possibly by parents who saw how well the club looks after its own). When Lidia is bullied by transphobic local boys, the women of the club come out in force to beat the crap out of the gang.…