For hundreds of years, he was known only as “Jersey”, an enslaved boy of about 11 rendered in oil on canvas by the great 18th-century portrait painter Sir Joshua Reynolds. But now the life of the youngster, believed to be Reynolds’ earliest depiction of a person of colour, has begun to emerge, thanks to a research project. Details found in admiralty records and other archives have unearthed information about Jersey’s identity, his military service and even hint he may eventually have found freedom. The painting, thought to have been completed around 1748, shows the boy and his “master”, the naval officer and MP Paul Henry Ourry. While Ourry looks out into the distance authoritatively, the enslaved child gazes up at the officer tentatively. It was hung in the saloon at Saltram, a National Trust Georgian mansion, in Plympton, Devon , its title: Lieutenant, later Captain, Paul Henry Ourry, MP (1719-1783) with an enslaved child known as “Jersey” (dates unknown).…