By the 1990s, there were even times when a channel surfer, perhaps startled by the abrasive industrial techno opening sequence of Kluge’s show 10 vor 11, might have clicked away, only to land on another even more puzzling Kluge production. Kluge didn’t mind that his shows occasionally aired at the same time; on the contrary, he saw it as an opportunity for channel flippers to participate in the production process by creating montages of their own.