Canon has, however, missed the opportunity to add a mode dial lock while redesigning. Inadvertently knocking the mode into the wrong settings is one of my biggest pet peeves with my Mark II, and the same is true with the Mark III. It’s probably not a big issue for general shooters, but when the Mark II (or III) is in a dual-camera harness, it has a tendency to knock against my waist and slip into the wrong mode. Now imagine quickly reaching for your camera to grab that split-second moment at a wedding, whether it’s a first kiss, confetti throw, or family member’s reaction, and you can see why having a feature that allows the camera to slip into the wrong mode is a huge drawback. The EVF and LCD displays carry over from the previous model, which is disappointing—we’ve yet to see a four-axis LCD from Canon that can go head-to-head with the brilliant ones seen in Sony’s latest cameras. The 3-inch, 1.62m dot LCD can tilt and flip out to get most of the angles you'd want to shoot from.…