Is truth determined by the size of the audience it reaches? If so, Michael —a new film about the pop singer Michael Jackson that is on track to have the biggest-ever opening for a music biopic, with projected earnings of $70 million at the US box office, despite critics saying it sanitizes the reality of who Jackson actually was—intends to supplant the King of Pop as the apotheosis of artistic virtue. The film’s release has sparked a familiar but newly intensified civil war online, between those eager to reclaim the music and myth of Jackson, and those who see any celebration of him as a failure of accountability. Musically, Jackson was in a class all his own. In the pre- social media days, before AI artists charted on Billboard and he became a recurring meme online, Jackson was the epitome of monoculture: 13 number one singles, countless awards, twice inducted into the Rock & Roll Hall of Fame. He remains, even in death, one of the best-selling music artists of all time.…