R ozie Kelly’s frank and feisty debut novel, which has been shortlisted for this year’s Women’s prize for fiction, begins with a case of lust at first sight. Our unnamed narrator is a “beautiful” 35-year-old writer in a complicated but loving relationship with the equally beautiful but somewhat boring Michael. The object of his attentions is a famous poet, 17 years his senior, running a popular course at the same university that he, in a minor way, is also attached to. He hardly knows her, but he knows that he wants “to be inside her”. It’s all a bit of a shock. “A woman! What was the world coming to?” So what’s so special about this one? Well, she’s smart, good-looking, well-dressed, not to mention rich and famous. It is this last fact that seems to exert, at least to begin with, the greatest hold over the infatuated narrator.…