#ClassicalMusicCultureMusic

From Hindemith’s jazz-age energy to Schoenberg’s existential angst, and Kurt Weill’s biting satire to Korngold’s neo-Romanticism, this lively recording is a perfect example of the kind of music the Nazis couldn’t abide.

Combining words devised for Shakespeare’s female characters with music from composers old and new this was a Bardic treat with teeth

The Stockholm-based chamber ensemble, led by violinist Hugo Ticciati, brought a programme that linked Auerbach and Janáček to Golijov – with clarinettist Christoffer Sundqvist the hypnotic soloist - and Mahler

The Sohmen Concert Hall’s acoustics made Scottish Ensemble’s Shostakovich and Tchaivoksky pinprick clear, while the Great Hall showcased Devlin and Muhly’s ‘choral installation’