#ArtreView

His installations of layered photos drawn from an expansive Black heritage entice viewers to keep looking, find connections, and ask questions.

Before arriving in Venice, Zhanna Kadyrova’s “The Origami Deer” undertook an epic journey mirroring those of displaced Ukrainians.

Her photos are unresolvable, driving the viewer through wonder, horror, and laughter without necessarily leading one to acceptance.

An exhibition about the Spanish painter in London made me ponder whether belief actually makes a difference in how well you paint.

Across sculptures and works on paper, her subjects are self-sustaining survivors who have not lost their capacity for tenderness.

The artist's free-handed style, on view in works at the Brant Foundation, feels prescient in light of the upcoming AI cataclysm.

After the last two Biennales searched the soul and history of this nation, how did we end up with this art from the land of the bland?

The 59th iteration captures some of the excitement of earlier exhibitions, providing vital commentary on issues of authoritarianism and militarism.

Christopher Payne’s photographs at Cooper Hewitt sidestep questions of economic uncertainty and geopolitical strife to spotlight the craftsmanship of factory workers.

MoMA’s Marcel Duchamp show made me long for those simpler times when "eliminating the artist's hand" provided a pathway back to the true self.

In this Bay Area artist’s hands, weaving becomes a site of experimentation and refusal.

An exhibition of his collection finds provisional alliances between artists, rather than reiterating established hierarchies.

The artist’s mixed messages suggest a deep skepticism about the ability of language to adequately express human experience.

His deliberate gaze, which mixes personal memory and art historical insight, makes his work special.

The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer.

Her paintings compress Roman mythology, Italian Renaissance paintings, color relationships, and that moment before disappearance.

His sculptures are a striking metaphor for the fragile equilibrium of American life.